It’s not easy being green

Good Morning!  Thought I would share some links and a how-I-did-that today before all the holiday festivities set in…  This month’s photo group assignment was for everyone to try out a Topaz Remask tutorial.  Although I shared it with the group the previous month, I didn’t do a very good job explaining it…  Remask is one of those techniques where following along and actually doing it is much more useful in achieving a good result.   So I’m not going to try to explain it  here either, but if you need a little bit of help with removing your subject from the background give it a try {click}.   So what’s the purpose of this post then?  Well, it’s about the other things I learned while while working on this image.

So this is my original.  Remask_original I definitely did not pick it for it composition qualities.  I picked it solely for my model’s hair and to try out the Remask tutorial.  First, a good crop and a quick touch-up using the Portrait Professional plug-in.  Then I moved on Remask.

Following the tutorial Screenshot (2), I still wasn’t getting the result I was looking for.  I was left with a green halo –  backlash from using the green screen/background.     But not only did it leave a green halo in and around her hair, her complexion, the dress, and flowers all had a slightly green hue (i.e. color cast). Remask_Remask  I know my mistake now… not only was the backdrop behind her, but she was standing on it.  Did I mention I rarely do studio portraits?  Lets just say working with lights (other than natural) and backdrops is an education in progress for me.  To deal with the green color cast I tried a variety of methods from using levels, to color balance, to color selection and masking – all just falling short of the mark; whites may have gotten whiter, but skin tones and hair suffered or vise-versa.    After a few trial and errors, and a number of complete do-overs, I finally came across this You Tube color cast tutorial Screenshot (3)  using the hue blending mode.  Turns out not only is it a quick and simple technique, but very effective. Remask_colorcast Once satisfied that my model no longer looked like she was suffering from a bad case of seasickness, I could get to work on some finishing touches, although not 100% where I would like it to be, I’m a lot closer … and a lot less green.  Remask_final Screenshot (4)

So that’s my share.  I hope you like it… It’s a keeper for me.  I can already see it coming in handy when the trees and grass turn lush and green again…

Until next time,